Despite the fact that I was relatively late to the party on Star One and Lucassen at large, it's pretty wild to think thatthis is the first studio album for the project in 12 years. They always have stellar branding, the album artalways showing some kind of highly futuristic (at times utopian, at times dystopian) sci-fi existence. Revel InTime, Star One's third LP, displays more the latter mode, with a seemingly water-color painting of a strangeforest of clocks and stained glass. Beautiful, really, but at first eerie and unsettling. As with his Ayreon project, Lucassenfeatures numerous guest vocalists and guitarists (and here three keyboardists), and you can bet your ass I'll betelling you all about 'em here haha.
"Fate of Man" is our opener, the first single for the album, released in November 2021. This has that classicPower-level Prog Metal sound that we have come to expect from Star One. This is Prog Metal rooted in the works ofDT, Fates Warning and the like. It features on vocals Brittney Slayes of Unleash The Archers. Fantastic guitar solohere by Michael Romeo of Symphony X, too, another vital participant in that early Prog Metal pantheon. "28 Days (Till the End ofTime)" features some synth-soaking, which really reminded me of early '80s Rush. And speaking of Symphony X,their lead vocalist, the very talented Russell Allen, is this track's vocalist. On guitar, Timo Somers ofDelain... supposedly haha. I'm so utterly ignorant of this side of the music world. I'm not wild about this song, to becompletely honest. Some really cool ideas nonetheless, like the huge, vaulting swells and the inclusion of flute(?!),the latter making for some classic Prog-homagery (yes, that is not a word). Almost good haha.
"Prescient" is up next, the second single from the album, and this one has dual lead-and-backing vocals byToehider's Michael Mills and Haken's Ross Jennings. They certainly compliment each other very well! And this is asong: it's got great melody, hooks, and stellar composition. At the end, it has a sort of Highlands feel? Prettyepic, too, as it closes up. Nice guitar riffa*ge, and I love the loud-soft dynamics with the sections including acousticguitar. Awesome. With the start of "Back from the Past", I was like... 'Dio?!' haha. The vocals of Jeff Scott Soto,associated with Yngwie Malmsteen and the vocalist of Sons of Apollo and--I had no idea(!)--Trans-SiberianOrchestra(?!), are gruff and full. Decent song. Definitely feels like a blast from the past. Pretty nice solo by theexcellent Bumblefoot (to me, obviously). Anyway, as I often say, nearly good. Then it's on to the title track,"Revel In Time"... and that is a helluva melody! I like! Feels a bit like... I don't know, but it's like Post-Post-Grunge. Great vocals are delivered by Brandon Yeagley of Crobot! Seriously, awesome vocal control, range andbeeves. Adrian Vandenberg (I guess it's high time I explored Whitesnake, eh?) performs a swelling guitar solo, whichtonally reminded me of Zakk Wylde. Maybe? It's good. Big'n.
Speaking of big'ns, "The Year of '41" has more of that good ol' Metal feeling. The drums on this are really fun,honestly; an upbeat number. It features a post-Dio, post-Cozy Rainbow vocalist, Joe Lynn Turner: a talented, classicMetal vocalist, for sure. The guitar solo, which is one of the best on the albums, is performed by current Whitesnakeguitarist Joel Hoekstra (also of TSO, and at one time of Night Ranger and Foreigner). And then... this synth solo?Awesome! Performed by a very familiar name in this realm, Jens Johansson of Stratovarious and (also?!) Rainbowand Yngwie('s band). Then it's the very familiar vocals of Damian Wilson, whom I know from Headspace (and at one point in time of the band Threshold), on the beefy "Bridge of Life". Some melodic things here are just alright, but some are quite interesting.This is a riff-heavy number and features some nice female vocals. Is that children's... toy mallets at the end? I like it regardless.
Much heavier is "Today is Yesterday" [...hold up... /s] with the great Dan Swanö (Edge of Sanity, Pan.Thy.Monium) on lead vocals.This one, though, is honestly pretty corny to me... The guitar solo was pretty good, but very shortlived, performed bythe current (surprise) guitarist of classic Dutch Prog band Kayak[!!!], Marcel Singor. There's a synth solo?[No.] To the theme at hand, we have next "A Hand on the Clock". Big beefy guitar here, although I'm not in love with thevocals of Nightwish's Floor Jansen (unsurprised she's here though). This has some pretty noticeable Hammond organ throughout,the eventual solo performed by After Forever's Joost van den Broek. Pretty wild solo. Very classic! I mean, ithearkens all the way back to Rod (F*cking) Argent in The Zombies, no? Often where my mind goes. Moving rightalong, we have the spacy creep of "Beyond the Edge of it All". Another evocation of Ronnie James Dio is theperformance by John Jaycee Cuijpers of Praying Mantis here. Very cool. I'm just impressed by these vocals... Man...Finally, "Lost Children of the Universe", our sole mini-epic (at 10 minutes), features the dynamic, dramatic vibrato ofRoy Khan (Conception, Kamelot). I like the keys here. I will say, though, the composition is rather slow-going [and, as you'll see, overall just static]. Justabout midway, we get the other feature that I was most excited for: the unmistakable Steve Vai. Beautiful solo. Andof course, this particular peccary-- err--- I mean-- this particular solo is clearly the longest of the bunch, too haha. Ooooh, a little Zappa-ism around 6:35? I see you, Stevie.Unsurprisingly, this did not turn over a new leaf for the song; it was fine.
[Usually I say something to uhhh... wrap things up with my reviews, but alas, I know nothing of this album editing it now over year later.]
